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Thursday, December 27, 2012
Future of Sri Lanka's Test Cricket
I'm writing this just few hours before the day 3 of Boxing Test. Sri Lanka have bundled out for 156 and currently Australia are leading 284 runs. By looking at this, most probably the result will be an appaling one for Sri Lanka and match might end on day 3 itself. Sri Lanka's hope for a Test win in Australia is fading day by day. This is Sri Lanka's first ever boxing day test in Australia after 1995. Even Sri Lanka's most senior players Sangakkara and Mahela Jayawardene have complained that they have never got an opportunity to play a Test match at MCG in their 12-15 years long careers. But if this is Sri Lanka going to perform when they got the opportunity, can they expect another chance before another 17 years ? Mind you, some people considering this batting line up as Sri Lanka's 'golden generation'. However still there is some hope for a test win at SCG.
What is Sri Lanka's future from here ? Mahela has stepped down from captaincy and most probably Angelo Mathews will be the new captain. Also we have to consider that Sri Lanka have an aging batting order. Dilshan, Samaraweera, Mahela and Sangakkara all 4 in their 35-36. It is inevitable that Sri Lanka have to groom few youngsters for a smooth transition. But at the same time you can't lose your best players. As I have heard, Dilshan and Samaraweera are already talking about their retirements plans.
Let's see a statistical analysis of which 2 should be the ones to sacrifice for the future. Below table shows overall stats of Sri Lankan batsmen in last 2 years. According to this, past 2 years has been a hard time for Sri Lankans. Only Sangakkara and Mathews have respectable averages. Samaraweera and Dilshan having 'OK' averages. Mahela Jayawardene is averaging about 30, which is unacceptable for a player of his calibre.
This 2nd table shows performances of Sri Lankan batsmen away from home in last 2 years. Thilan Samaraweera who averages over 50 has been Sri Lanka's best batsman away from home in recent years. Then there is Sangakkara who averages almost 48. Surprisingly Prasanna Jayawardene has been Sri Lanka's 3rd best batsman in abroad in past 2 years. He averages 46.77. Dilshan averages 39. And more surprisingly Mahela Jayawardene is averaging rubbishy 17.66, he couldn't score even a single 50 in those 21 innings. Even Rangana Herath has averaged more than he.
Third table shows their records in last 2 years outside Asia. Nothing different in Samaraweera's record. He has been the best batsman. And then Dilshan with a 47+ average. Sangakkara has struggled a bit. Then once again there is Mahela Jayawardene with a pathetic record.
By looking at all these statistics, Mahela Jayawardene has been the under performing batsman in recent years. Why does his away record is so miserable in recent past ? Is it a temporary loss of form ? Let's find it out.
Below table shows all the Sri Lankan players record away from home throughout their careers. Clearly you can see who are the best Sri Lankan players. To be categorized as 'great' , a batsman should be able to perform in most conditions. Sangakkara averages 49.66, if you compare it with other world class players, even Brian Lara (47.80) , Inzamam-ul-Haq (46.98) , Ricky Ponting (46.40) , Javed Miandad (45.80) are also behind him. Samaraweera also have a very good average of 45.60. But where is Mahela Jayawardene ? He is there with a very average average. If you compare Mahela's record with players from other counties (who played at least 19 away matches), he is the 126th player in the list. And he is there with very average Test batsmen like Shaun Pollock (36.45), MS Dhoni (33.48) and Scott Styris (33.22).
This final table shows all the Sri Lanka players record outside Asia (excluding Zimbabwe). An Asian Test cricketer's real challenge is performing outside Asia. As we can see in the table, many batsmen have decreased their averages. Once again Sangakkara is proving why he is the best batsman from Sri Lanka. And again ! Samaraweera and Dilshan are above Mahela Jayawardene.
After looking at table 1, 2 and 3 you may think that Mahela Jayawardene's recnt poor record away from home is due to a loss of form. But table 4 & 5 proves he had that problem throughout his 15 years career. SERIOUSLY ! A pathetic Away record for 15 years of his Test career. It's just getting worse with his age.
It is no doubt that Mahela Jayawardene is an elegant and utterly classy batsman and it is treat to watch him batting. Also without a doubt he is the most talented player Sri Lanka has produced in recent decades. But sadly elegance or talent doesn't make runs itself. He has to apply that to make runs, especially outside home conditions.
But at the moment Sri Lankan cricket is in a crucial junction and have to make some tough calls for the future. Few youngsters have to bring in at the expense of 2 seniors. By looking at statistics, those two seniors should be TM Dilshan and Mahela Jayawardene. I know now many of you must be mad at me. But statistics don't lie. Samaraweera has been a better Test players than Mahela. And definitely he is not the one to retire at this stage. Now don't show up Mahela's ODI or T20 statistics to justify his place in the Test team. I'm just talking about Test cricket. I never mentioned Mahela should retire from ODIs or T20Is.
With scraping West Indies and South Africa Test matches, most probably Sri Lanka will play only with Bangladesh and Zimbabwe in the year 2013. In these matches Sri Lanka should include more youngsters in the Test team other than providing opportunity for under performing stars to boost their averages.
Sunday, December 16, 2012
Rise of the Silent Assassin
Rangana Herath is now sharing the 2nd position of ICC Test bowling rankings with Vernon Philander, both of them are there with 838 points. Only Dale Steyn is ahead of them with 880 point. According to this rankings Herath is the highest ranked spinner in the world at the moment. This is probably the greatest highlight of his career. His number of points, 838 is his career best. Many would argue as Saeed Ajmal or Graeme Swann is the current best spinner in the world. Herath doesn't have many variations or anything special other than tight lines and lengths. But he is effective. He had to fill the vacuum left by Murali. Probably he will not be able to fill it completely. But Herath has been doing it really well until now.
Sri Lanka's home test series against Pakiatan in 2009 has been the turning point of Rangana Herath's career. He wasn't there in the original squad or in selectors minds. He was light years away from playing for Sri Lanka again. He was able to pick just 1 wicket by giving away 115 runs against Bangladesh in his last match, in 2008. His career figures was standing as
14-Matches 36-Wickets 39.38- Average 7/132 - Best Bowling (against Pakistan)
Not impressive at all. Reason for these figures partly because of Murali's dominance and partly Herath not getting opportunities consistently. This has been the fate of most of the Sri Lankan spinners during Murali's era.
Destiny is a funny thing and some things are meant to be. Just a day before the start of 1st test at Galle, Murali got injured. 22 years old Suraj Randiv who was yet to make his debut, was the 3rd spinner in the squad (Ajantha Mendis was there). (Add to that Prasanna Jayawardene also was injured and Kaushal Silva was the extra wicket keeper in the squad). Angelo Mathews was certain to make his test debut in this match. By looking at the injured list and the squad, it was looking like Sri Lanka will play 3 debutants in the 1st test. But Kumar Sangakkara who was Sri Lankan captain did not want to take a risk with too many debutants. He wanted Herath in the squad as soon as possible, probably because of Pakistan's weakness against slow left arm spin and Herath's ability to open the innings ? (Herath opened the 2nd innings as nightwatchman with Warnapura). Herath was playing in the Staffordshire League in England when he was summoned. He landed Sri Lanka just few hours before the start of the match. Luckily for Herath, Pakistan chose to field 1st. (Even though this is irrelevant, to complete the story :- Sri Lanka decided to go with Dilshan as the wicket keeper and Saeed Ajmal made his test debut for Pakistan).
It took 47 overs to bowl Herath in the 1st innings, mainly to give him more time to recover from jet lag. He took 1 for 52 in 16 overs. But his career turning bowling spell happened in the 2nd innings. At the end of day 3, Pakistan were 71/2 chasing 168. Chances were looking bleak for Sri Lanka. But Herath turned the match on its head. Herath managed to remove both overnight batsmen in his 1st over of the day. Pakistan collapsed from 71/2 to 117 allout. Herath's figures were 4/15 in 11.3 overs. This was the time Herath shown that he belongs to test cricket. Herath played all 3 test matches and managed to pick 15 wickets at 26.93, also the 2nd highest wicket taker in the series.
Since then, he never looked back. From July 2009, he has picked 138 wickets at 27.14 in 28 matches. Since Herath made his came back in July 2009, among the bowlers who have managed to take more than 50 wickets, this is where he stands.
However Herath is among the highest wicket takers in the year 2012 so far. It is a close run between Swann and Herath.
Swann has 56 wickets from 13 matches (23 innings) and Herath 55 wickets from 8 matches (15 innings). You can say Herath has played most of his matches on Asian spin friendly pitches. But except 5 matches in England, Swann also has played 8 matches in Asia. If we consider the average, Saeed Ajmal has the best average of 20.56 in 6 matches (12 innings) and Herath is 2nd best with 20.94. Got to mention that Ajmal played all his 6 matches in Asian pitches and Herath's 8 matches includes the new year test at Cape Town. However these statistics will change since Swann has the Nagpur test and Herath has 2 tests in Australia.
This is Herath's performances in Sri Lanka's last 3 series.
It is safe to say that Herath has able to out played all opposition bowlers including Swann and Ajmal in these series. Herath might not be able to fill Murali's shoes completely. But He is doing pretty well at this stage of post Murali era in Sri Lankan cricket.
Why Samaraweera not getting the respect he deserves
If you ask from most of the cricket fans who is the best batsman in Sri Lanka, most of them would say either Kumar Sangakkara or Mahela Jayawardene. But there is a man who is always there to rescue Sri Lanka when they are in a trouble. Who doesn't speak much, but very determined player. Who started his career as on off spinner, but he transformed himself into a high quality test batsman after realizing he will not be able to make into the playing XI until the Legend Murali is there. Even a bullet traveled 12 inches into his thigh could not stop this man. He is Thilan Samaraweera. Many people criticize him as a heavy runs scorer in batting friendly subcontinent conditions.
Let's have a look at highest overall averages by Sri Lankan test batsman who has played more than 20 test matches.
Definition of a great batsman could be subjective. But generally what we expect from a great player is ability to perform in all conditions against quality bowling. Let's see Sri Lankan batsmen with top averages out side subcontinent against top test playing nations [which means excluding Zimbabwe and Bangladesh]. Minimum qualification is players who have played at least 10 Test matches in Australia, England, New Zealand, South Africa and West Indies.
You can see most of the batsmen having difference of about 10 runs between overall average and this average. Surprisingly Asanka Gurusinha has a better average outside subcontinent than in subcontinent. After that, Samaraweera has the best average. Sangakkara is just behind him. Marvan Atapattu averaged 35.68 which is a decent figure for a test opener. T.M. Dilshan averages 34.21 , but 11 out of 16 matches he has played as a middle order batsman. In other 5 matches as an opener, he averages 44.33 outside subcontinent. Mahela Jayawardene average miserable 32.53 outside subcontinent.
Even outside the subcontinent there could be high scoring runs fiestas. So let's see their record excluding drawn matches. This might be bit harsh considering an interesting draws like Adelaide test [Australia vs South Africa] in couple of weeks ago also get exclude with this. Match saving innings like Faf du Plessis's will not get any credit, but this is the only way to exclude draws on high ways. So no need to consider this stat much seriously. But still this does mean something.
In that sense Samaraweera has the best average from Sri Lanka. Sangakkara just behind him. Others ? I don't know what to say. You decide.
Samaraweera started his career as a spinner. People said he is a flat track bully after he improved his batting. He had a point to prove in Sri Lanka's tour of South Africa in last year. Surprising many, he became Sri Lanka's best batsman in that tour. Thanks to centuries from Samaraweera and Sangakkara at Durban, Sri Lanka managed to record their first ever Test win in South Africa. He tried his best at Cape Town to save the 3rd test but just managed to carry his bat with a century in the 2nd innings. These statistics prove that Samaraweera is Sri Lanka's one of the best batsmen in away conditions and probably the best in handling swing and seam movement. As above table suggests, Samaraweera has another [and some other Sri Lankan batsmen who has more gifted talent than Samaraweera, have a] point to prove in upcoming Sri Lanka's tour of Australia.
Samaraweera may not be the most gifted batsman Sri Lanka ever produced. But certainly he is one of the grittiest players ever to play the game.
Saturday, December 8, 2012
How I met Nancy Ajram
It's 12.32 am Sri Lanka standard time. About half an hour ago probably I didn't know a person as Nancy Ajram does exist. According to wikipedia she is an Arabic pop singer. So what is so special about this ? I don't know. I felt that this story worth a blog post.
Since few days I'm in a musical relationship with Sri Lankan female singer Shasika Nisansala. It is not that I got to know her recently. But I started to listen to her song carefully recently. First a Sinhala romantic song of Kasun Kalhara & Prathiba Prabha was stuck in my mind few days ago. Many of us have kinda 'song of the day' , right ? That lyrics comes to your mind every time & song is playing in your mind. This is something similar to that. Kasun's & Prathiba's song was in mind for more than a day. I liked that feeling. Then I tried to remember few other songs like that. Shasika Nisansala's Aakasaye Dura Gimhana Eure song came to my mind straight away. May be because of Kasun Kalhara's music and Shasika's voice.
I liked that song as well. I did listen to that song a whole day. I wanted more songs like this. I found Shasika's Gimhana Kale song as well. Then another one, Ma Ahase Liyu De , which is my favorite song at the moment (Kasun is the music director of latter). I could find an official video for Gimhana Kale, so tried to find an Shasika appearing official video for Gimhana Kale as well and there wasn't. But I noticed this video.
I liked the visuals and the pretty girl ;-) I wanted to watch the original video or the movie. But no mention about the video source. How could I find it ?
First thing I did was getting few screen shots & googling using the google image search. But that wasn't successful. Then I analysed the video. Obvious thing anybody can notice is people in the visuals are Asians. So I guessed it could be from an Indian movie or a Pakistani / Arabian movie. Then I noticed a person wearing a turban at 2:19 , he is more like a employer. In my experience, lot of non-Indian films do use this trick to indicate an Indian. So I assumed that this can not be an Indian movie. Also can't think about having an Indian employer characters in a Pakistani movie. So I left with only option of Arabian movies.
By gestures at 1:54 you can imagine the boy is deaf and mute. Now I know 2 things.
- It is an Arabian movie.
- The girl loves a deaf and mute guy.
Then I went back to most obvious observation. The girl is beautiful, isn't it ? So googled 'Arabian Actress' and got results saying 50 Beautiful Arab Girls, Beautiful Arabic Actress Photos kinda things. This link worked for me. I carefully looked every girl and found the girl in the video at 6 in the list. Now I know her name - Nancy Ajram. Then I googled and found that she is a singer. So that visuals could be from one of her music videos. I searched on Youtube and found this.
This is How I met Nancy Ajram. How is my investigation ? :-D
Wednesday, August 22, 2012
āļ´ිāļģිāˇෙāļą āļ´්āļģේāļ්āˇāļāļēා āˇා āļ´ොāļŊිāˇ් āļ´āļšāļēāļą්
āļ්āļģිāļāļ§් āļ්āļģීāļŠාංāļāļąāˇāļŊāļ§ āļģāļ§ේ āļąීāļිāļē āļ āļ¯ා⎠āļąොāˇේāļ¯?
āļ්āļģිāļāļ§් āļēāļąු āļ āļ´ේ āļąිāļŊ āļąොāļŊāļ් āļĸාāļිāļ āļ්āļģීāļŠාāˇāļēි. āˇāļēāˇ් āļˇේāļ¯āļēāļිāļą් āļොāļģāˇ, āļļාāļŊ-āˇැāļŠිāˇිāļ§ි-āļ¸āˇāˇ ු āļ āļි āļļāˇුāļāļģāļēāļ් āˇ්āļģී āļŊාංāļිāļāļēāļą් āļāļ¸ āļĸීāˇāļąාāļŊිāļēේ āļොāļ§āˇāļ් āļŊෙ⎠āļ්āļģිāļāļ§් āļ්āļģීāļŠාāˇāļ§ āļāļŊුāļ¸් āļāļģāļēි. āļ¸ේ āˇිāļēāļŊු āˇāļēāˇ් āļාāļĢ්āļŠ āˇāļŊ āļ´ුāļ¯්āļāļŊāļēāļą්āļ§ āļāļ¸āļą් āļැāļ¸āļි āļ්āļģීāļŠා⎠āļ්āļģීāļŠාංāļāļą āˇāļŊāļ§ āļොāˇ් āˇුāˇāļ´āˇāˇු⎠āļąැāļģāļšීāļ¸ේ āļ āļēිāļිāļēāļ් āļāļ. āļāļēāļ§ āļēāļ¸් āļļාāļ°ාāˇāļ් āˇේāļąāļ¸්, āļāļēāļ§ āļ´ි⎠ිāļēāļ¸් āļēෙāļ¯ීāļ¸ āļļ⎠āļ°ාāļģීāļą් āˇāļු āˇāļāļීāļ¸āļි.
āļ´āˇāļිāļą් āļ¯ැāļ්āˇෙāļą්āļąේ āļ¸ේ āˇāļąāˇිāļ§ āļ´ැāˇැāļ්āˇෙāļą SLPL āļāļģāļාāˇāļŊිāļēේ āļ´්āļģāˇේ⎠āļ´āļ්āļģāļēāļ āļ´ිāļ§ුāļ´āˇ āļොāļ§āˇāļ්. āļāļļāļ§ āļ¯ැāļāļāļ āˇැāļිāļēි āļ¸ෙāˇි āļංāļ්āļģීāˇිāļēෙāļą් 'No Smoking' āļēāļąුāˇෙāļą්, āļ්āļģීāļŠාංāļāļąāļē āļු⎠āļ¯ුāļ¸්āļļීāļ¸ āļāˇāļąāļ¸් āļļ⎠āļ¯āļ්āˇා āļිāļļෙāļąāˇා. āļ¸ෙāļēāļ§ āļ āļ¸āļāļģ⎠āˇ්āļģී āļŊංāļාāˇේ āļąීāļිāļē āļ āļąු⎠āļ´්āļģāˇිāļ¯්āļ° āˇ්āļŽාāļąāˇāļŊ āļ¯ුāļ¸්āļļීāļ¸ āļāˇāļąāļ¸්āļē. āļąāļ¸ුāļ් āļ¸ෙāļ¸ āļąීāļිāļē āļ්āļģිāļēාāļ්āļ¸āļ āˇāļą āļļāˇāļ් āļ āļ´āļ§ āļąොāļ´ෙāļąේ. āļ´āˇුāļිāļēāļ¯ා āļ¸āˇāļąුāˇāļģ āļ´āļŊ්āļŊෙāļැ⎠ේ āˇිāļ¯ී āļ´ැāˇāļි āļāļģāļ āˇāļŊāļ¯ී āļ āˇුāļģුāļ¯ු 21āļ§ āļ āļŠු āļැāļ§āļēāļą් āļ´āˇා āļ¯ුāļ¸්āˇැāļ§ිāļēāļ් āļāļ§ේ āļāˇාāļෙāļą āļ¯ුāļ¸්āļ´ිāļ§āļāļģāļ¸ිāļą්, āļ´ොāļŊිāˇ් āļąිāļŊāļ°ාāļģීāļą් āļāļ¯ිāļģිāļ´ිāļ§āļ¸ āˇිāļ§ිāļēේāļē. āˇ්āļģී āļŊංāļාāˇේ āļąීāļිāļē āļ්āļģිāļāļ§් āļ්āļģීāļŠාංāļāļą āļු⎠āļ§ āˇāˇ ංāļු āļąොāˇේāļ¯ ? āļąැāļāˇොāļ් āļ්āļģීāļŠාංāļāļą āļ´්āļģāˇිāļ¯්āļ° āˇ්āļŽාāļąāļŊෙ⎠āˇāļ§āˇා āļąොāļැāļąීāļ¸āļ§ āļāļģāļ¸් āļąිāļŊāļ°ාāļģීāļą් āļ¸ුāļ්āļ°āļ¯ ?
āļ¸ේ āļ´ි⎠ිāļļāļŗāˇ āļ´ොāļŊිāˇ් āļąිāļŊāļ°ාāļģීāļą්āļෙāļą් āˇිāļ¸āˇීāļ¸ේāļ¯ී āļāˇුāļą් āļāļ¸ාāļේ āļāˇ් āļāļ¯ිāļģිāļ´ිāļ§ āˇිāļ§ිāļą āˇිāļැāļģැāļ§් āļāļģāļą්āļąāļą් āļ´ෙāļą්āˇāļą āļŊෙ⎠āļ āļ´ෙāļą් āļāļŊ්āļŊා āˇිāļ§ී. āļāļ් āļāˇāˇ් āļąිāļŊāļ°ාāļģිāļēෙāļ් āļ āļ´āļ§ āļීāˇේ, "āļ āļ¯ āļąීāļිāļēāļ් āļොāˇෙāļ¯ āļිāļēෙāļą්āļąෙ. āļ āļąිāļ āļ¸ේāˇා āļ āļ´ිāļ§ āļāļģāļą්āļą āļ´ු⎠ුāˇāļą් āļ¯ේāˇāļŊ් āļąෙāļ¸ෙāļēි. āļ āļ´ිāļ§ āļāļŠිāļą් āļąිāļēෝāļ āļ¯ීāļŊ āļąෑ āļ¸ේ⎠āļāļģāļą්āļą āļිāļēāļŊ." āļēāļąුāˇෙāļąුāļēි. āļ¸ේ āļģāļ§ේ āļąීāļිāļē āļ්āļģිāļēාāļ්āļ¸āļ āļිāļģීāļ¸āļ§ āˇිāļ§ිāļą āļąිāļŊāļ°ාāļģීāļą්āļේ āļ āļ¯āˇāˇāļēි. āļģāļ§ේ āļąීāļිāļēāļ් āļąොāļ¸ැāļි āļąāļ¸්, āļāļēāļ§ āˇāļāļිāˇāļēුāļු āˇāļą්āļąේ āļ¸ෙāˇැāļąි āļ āļ´ෘāˇ්āļ¨āˇංāˇී [āļāˇේāļģුāļාāˇāļ් āļąොāļ¸ැāļි] āļąිāļŊāļ°ාāļģීāļą්āļ¸ āļąොāˇේāļ¯ ? āļ āļąෙāļ් āļ āļāļ§ āļ¸ේ āļąීāļිāļē āļ්āļģිāļēාāļ්āļ¸āļ āļ⎠āļēුāļුāļēි, āļ¸ෙāļē āļ්āļģිāļēාāļ්āļ¸āļ āļąොāļ⎠āļēුāļුāļēි āļēāļąුāˇෙāļą් āļāļිāļŊ්āļŊෙāļą් āļāļą āļāļą āļāļ් āļāļ් āļąීāļිāļē āˇ්āļģී āļŊංāļා āļ´ොāļŊිāˇිāļēāļ§ āļ´ෙāļą්āˇිāļē āļēුāļුāļļāˇāļ¯ āļ¸ේ āļąිāļŊāļ°ාāļģිāļēා āļ´āˇāˇāļą්āļąේ ? āļ¸ෙāˇිāļ¯ී āļāˇāļ් āļąිāļŊāļ°ාāļģිāļēෙāļą් āļ්āļģීāļŠාංāļāļą āļු⎠āļ¯ුāļ¸්āļļීāļ¸āļ§ āļāļŠ āļŊāļļාāļ¯ීāļ¸ āˇāļģāļ¯āļ් āļļ⎠āļ´ි⎠ිāļැāļąීāļ¸āļ§ āļāļģāļ¸් āļąිāˇāļāļ¸ාāļąී āˇූ āļļ⎠āļ´ැāˇāˇීāļ¸āļ¯ āļ āļ´āļේ āļēුāļුāļāļ¸āļි.
2006 āļ ංāļ 27 āļ¯āļģāļą āļ¯ුāļ¸්āļො⎠āˇා āļ¸āļ¯්āļēāˇාāļģ āļ´ි⎠ිāļļāļŗ āļĸාāļිāļ āļ āļ°ිāļාāļģිāļē āļ´āļąāļේ 39 āˇāļāļą්āļිāļē āļ´āˇāļ āļ āļēුāļģිāļą්āˇේ.
39 āļēāļ¸් āļොāļ§ුāļāļģāļą āļŊāļ¯ āļ´ොāļ¯ු āˇ්āļŽාāļąāļēāļ් āļāļු⎠āļ āļිāˇිāļ¸ āļැāļąැāļ්āļෙāļු āˇිāˇිāļą් āļēāļ¸් āļ¯ුāļ¸්āļො⎠āļąිāˇ්āļ´ාāļ¯āļą āļ´ාāļąāļē āļිāļģීāļ¸ āˇෝ āļēāļ¸් āļැāļąැāļ්āļෙāļුāļ§ āļāˇේ āļිāļģීāļ¸āļ§ āļāļŠāļ¯ීāļ¸ āļąොāļ⎠āļēුāļුāļē.
(2) āļēāļ¸් āļොāļ§ුāļāļģāļą āļŊāļ¯ āļ´ොāļ¯ු āˇ්āļŽාāļąāļēāļ, āļ āļēිāļිāļāļģුāˇāļු, āļ´āļ¯ිංāļ ිāļāļģුāˇāļු, āˇිāļ¸ිāļāļģුāˇāļු, āļ⎠āļ¸āļąාāļāļģුāˇāļු, āļˇාāļģāļāļģුāˇāļු āˇෝ āļāļ¸ āˇ්āļŽාāļąāļē āļˇාāļģ⎠āˇිāļ§ිāļą āļēāļ¸් āļැāļąāļ්āļෙāļු āˇිāˇිāļą් āļ āļොāļ§ුāļāļģāļą āļŊāļ¯ āˇ්āļŽාāļąāļē āļāļු⎠āļ āļ¯ුāļ¸් āļąිāˇ්āļ´ාāļ¯āļą āļිāˇිāˇāļ් āļˇාāˇිāļා āļāļģāļ¸ිāļą් āļ¯ුāļ¸් āļ´ාāļąāļē āļąොāļāļģāļą āļļāˇāļ§ āˇāˇāļිāļ āˇිāļē āļēුāļුāļē.
āļāˇේ āˇුāˇāļ¯, (1) āˇāļą āļāļ´ āˇāļāļą්āļිāļēෙ āˇිāļ°ිāˇිāļ°ාāļą āˇāļŊ āļුāļ¸āļ් āˇāļŗāˇāļą් āˇුāˇāļ¯, -
(āļ ) āļාāļ¸āļģ āļිāˇāļ් āˇෝ āļāļ§ āˇැāļŠි āļ´්āļģāļ¸ාāļĢāļēāļ් āļāļි āˇෝāļ§āļŊāļēāļ, āļāļāļą්āļුāļ āļąිāˇාāˇāļēāļ āˇෝ āļාāˇāļාāļŊිāļ āļąāˇාāļැāļą්āļ´ො⎠āļ (āļŊොāļĸ්);
(āļ) āļ āˇāļ¸ āˇāˇāļēෙāļą් āļ´ුāļ¯්āļāļŊāļēāļą් āļිāˇāļāļ§ āˇාāļŠිāˇී āˇිāļ§ීāļ¸āļ§ āļāļŠāļāļŠ āļāļි āļēāļ¸් āļāļ´āļą āˇාāļŊාāˇāļ āˇෝ āˇāļ¸ාāļĸ āˇාāļŊාāˇāļ; āˇෝ
(āļ ) āļēāļ¸් āļුāˇāļą් āļොāļ§ුāļ´āˇ āļ,
āļ¯ුāļ¸් āļ´ාāļąāļē āˇāļŗāˇා āļ āļąāļą්āļē āļŊෙ⎠āˇෙāļą් āļāļģāļą āļŊāļ¯ āļ āˇāˇ්āļŽාāˇෝāļ ිāļ āļ´āļģිāļ¯ි āļොāļ§ුāļāļģāļą āļŊāļ¯ āˇ්āļŽාāļąāļēāļ් āˇෝ āļ´්āļģāļ¯ේāˇāļēāļ් āļāļ¸ āļ´්āļģිāˇ්āļģāļē āļු⎠āļුāļļිāļē āˇැāļිāļē. āļāļ¸ āļ´්āļģāļ¯ේāˇāļēāļ§ āļ´්āļģāļ¸ාāļĢāˇāļ් āˇාāļාāˇ්āļģāļē āļŊāļļා āļ¯ිāļē āļēුāļු āļ āļāļģ, āļāļē āļąිāļēāļ¸ිāļ āˇාāļāļēෙāˇි āļāļ්āˇāļē āļ´ි⎠ිāļļāļŗ āļ´්āļģāļ¸ිāļි āˇāļŊāļ§ āļ āļąුāļූāļŊ āˇිāļē āļēුāļුāļē.
(3) āļ āļ¸ාāļ්āļēāˇāļģāļēා āˇිāˇිāļą් āˇෞāļ්āļē āˇේāˇා āļ āļ°්āļēāļ්⎠āļĸāļąāļģාāļŊ්āˇāļģāļēා āˇිāļ¸āˇා āļ¸ෙāļ¸ āˇāļāļą්āļිāļēේ āˇිāļ°ිāļ°ාāļą āļļāļŊාāļ්āļ¸āļ āļිāļģීāļ¸ āˇāˇ āļąිāļēාāļ¸āļąāļē āļිāļģීāļ¸ āˇāļŗāˇා āļ āˇāˇ්āļēāˇිāļē āˇැāļි āˇෙāļąāļ් āļēāļ¸් āļŊිāļිāļ āļąීāļිāļēāļāļ§ āļ āļąāļąුāļූāļŊ āļąොāˇāļą āˇාāļ¸ාāļą්āļē āˇෝ āˇිāˇේ⎠āˇිāļ°ාāļą āļąිāļුāļ් āļāļģāļąු āļŊැāļļිāļē āˇැāļි āļē.
(4) (1) āˇāļą āˇāˇ (2) āˇāļą āļāļ´ āˇāļāļą්āļිāˇāļŊ āˇිāļ°ිāˇ්āļ°ාāļą āļāļŊ්āļŊංāļāļąāļē āļāļģāļą āļēāļ¸් āļැāļąැāļ්āļෙāļ් āļ¸ේ āļ´āļąāļ āļēāļ§āļේ āˇāļģāļ¯āļāļ§ āˇැāļģāļ¯ිāļāļģු āˇāļą āļ āļāļģ, āļ¸āˇෙāˇ්āļ්āļģාāļ්āˇāļģāļēෙāļු āļāļ¯ිāļģිāļ´ිāļ§ āļ´āˇāļ්āˇāļąු āļŊāļļāļą āļŊāļු āļąāļŠු āˇිāļˇාāļāļēāļිāļą් āļ´āˇු⎠āˇāļģāļ¯āļāļģු āļිāļģීāļ¸ේāļ¯ී āļģුāļ´ිāļēāļŊ් āļ¯ෙāļ¯āˇāˇāļāļ§ āˇැāļŠි āļąොāˇāļą āļ¯āļŠāļēāļāļ§ āˇෝ āļ āˇුāļģුāļ¯ු āļāļāļāļ§ āˇැāļŠි āļąොāˇāļą āļාāļŊāļēāļ් āˇāļŗāˇා āļļāļą්āļ°āļąාāļාāļģ āļāļ āļිāļģීāļ¸āļāļ§ āˇෝ āļ āļ¯āļŠāļē āˇා āļļāļą්āļ°āļąාāļාāļģāļāļ āļිāļģීāļ¸ āļēāļą āļ¯ෙāļāļ§āļ¸ āļāˇු āļēāļ§āļ් āˇිāļē āļēුāļුāļē.
(5) āļ¸ේ āˇāļāļą්āļිāļēේ āļාāļģ්āļē āˇāļŗāˇා āļ´ොāļ¯ු āˇ්āļŽාāļąāļēāļ් āļēāļą්āļąෙāļą් āļ¸āˇāļĸāļąāļēාāļ§ āļ āļēිāļිāļēāļ් āˇāˇāļēෙāļą් āˇෝ āļ āļą්āļēාāļාāļģāļēāļāļ§ āļ´්āļģāˇේ⎠āˇිāļē āˇැāļි āˇූ āļ¯ āļēāļ¸් āˇ්āļŽාāļąāļēāļ් āļ āļ¯āˇāˇ් āˇේ.
"āļොāļ§ු āļāļģāļą āļŊāļ¯ āļ´ොāļ¯ු āˇ්āļŽාāļąāļēāļ්" āļēāļą්āļąāļ§ āļģāļĸāļēේ āļ¯ෙāļ´ාāļģ්āļāļ¸ේāļą්āļුāˇāļ්, āˇ්āļēāˇāˇ්āļŽාāļ´ිāļ āļ āļ°ිāļාāļģිāļēāļ් āˇෝ āļ¸āļĢ්āļŠāļŊāļēāļ් āˇෝ āļģāļĸāļēේ āļāļēāļāļąāļēāļ්, āļාāļģ්āļēාāļ āļ´āļģිāˇ්āļģ, āļļැංāļු, āļ āļ°ිāļāļģāļą āˇාāļŊා, āˇ්āļģāˇāļĢාāļාāļģ, āļ්āļģීāļŠා āˇංāļීāļģ්āļĢ, āļāļģෝāļ්āļēāˇාāļŊා, āˇාāļēāļą, āļļෙāˇෙāļ් āˇාāļŊා, āˇිāļ¯්āļēාāļාāļģ, āļ´ාāˇāļŊ්, āˇිāˇ්⎠āˇිāļ¯්āļēාāļŊ āˇෝ āˇෙāļąāļ් āļ āļ°්āļēාāļ´āļąිāļ āļāļēāļāļą, āļ´ුāˇ්āļŽāļාāļŊ, āļෞāļුāļාāļාāļģ, āļāļāļ¸ිāļ āˇ්āļŽාāļą, āˇෝāļ§āļŊ්, āļāļāļą්āļුāļ āļąිāˇාāˇ, āļාāˇāļාāļŊිāļ āļąāˇාāļැāļą්āļ´ො⎠(āļŊොāļĸ්), āļąේāˇාāˇිāļාāļාāļģ, āļāļ´āļąāˇාāļŊා, āˇāļ¸ාāļĸāˇාāļŊා, āļ āļą්āļāļģ්āļĸාāļŊ āļ¸āļ°්āļēāˇ්āļŽාāļą, āļ ිāļ්āļģāļ´āļ§āˇාāļŊා, āļąාāļ§්āļēāļē āļģāļāˇāļŊ්, āˇුāļ´ිāļģි āˇෙ⎠āļŗāˇැāļŊ්, āļුāˇāļą්āļොāļ§ුāļ´āˇ , āļ¯ුāļ¸්āļģිāļē āˇ්āļŽාāļąāˇāļŊ āˇෝ āļļāˇ් āļąැāˇāļුāļ¸් āļ´ො⎠āˇāļŊ් āˇāļŊ āˇිāˇේāļාāļාāļģ, āļēāļ¸් āļ´ොāļ¯ු āˇැāˇිāļිāļŊි, āļොāļŠāļąැāļිāļŊි, āļොāļŠāļąැāļිāļŊි āļāļąා āļāļි āˇ්āļŽාāļą āˇා āˇිāļ¯ුāļŊි āˇෝāļ´ාāļą āļāļු⎠āļ් āˇේ.
āˇāļģāļŊ āļļāˇිāļą් āļ´āˇāˇāļąāˇා āļąāļ¸්, āļ්āļģීāļŠා āˇංāļීāļģ්āļĢāļēāļ් āˇැāļąි āļ´්āļģāˇිāļ¯්āļ° āˇ්āļŽාāļąāļēāļ් āļ¯ුāļ¸් āļļීāļ¸ āˇා āļ¯ුāļ¸් āļļීāļ¸āļ§ āļāļŠāļ¯ීāļ¸ āˇāļģāļ¯āļ් āˇāļą āļ āļāļģ, āˇāļģāļ¯ āļāļģුāˇෙāļුāļ§ āļ āˇāļ¸ āˇāˇāļēෙāļą් āļģු. 2 000 āļ āļ¯āļŠāļēāļ් āˇා/āˇෝ āļāļ´āļģිāļ¸ āˇāˇāļēෙāļą් āˇāˇāļģāļ āļļāļą්āļ°āļąාāļාāļģ āļāļāˇීāļ¸āļāļ§ āˇිāļ¯ුāˇේ. āļ āļ āļąු⎠āļ¸ෙāˇේ āļąීāļිāļē āļāļŠ āļිāļģීāļ¸āļ§ āļāļŠ āļŊāļļාāļ¯ීāļ¸ āļąිāˇා, āļ්āļģීāļŠාංāļāļąāļēේ āˇිāļ¸ිāļාāļģāļ්āˇāļē āļ¯āļģāļą āˇ්āļģී āļŊංāļා āļ්āļģිāļāļ§් āļāļēāļāļąāļēāļ§ āļ¸ෙāļą්āļ¸ āļąීāļිāļē āļ්āļģිāļēාāļ්āļ¸āļ āļිāļģීāļ¸āļ§ āˇිāļ§ිāļą āļ´ොāļŊිāˇිāļēāļ§ āļāļģෙāˇි⎠āļąීāļිāļ¸āļē āļ්āļģිāļēාāļ¸ාāļģ්āļ āļැāļąීāļ¸āļ§ āļāļļāļ§ āˇැāļිāļēාāˇāļ් āļāļ.
āˇ්āļģී āļŊංāļාāˇāļ§ āļ´ැāļ¸ිāļĢෙāļą āˇංāļ ාāļģāļāļēāļą්āļ§ āļŊāļļාāļ¯ෙāļą āļāļ´āļ¯ෙāˇ් āˇāļŊāļ¯ āļ´ැāˇැāļ¯ිāļŊිāˇāļ¸ āˇāļŗāˇāļą්⎠āļāļි āļāļģුāļĢāļ් āļąāļ¸්, āˇ්āļģී āļŊංāļා⎠āļු⎠āļ¯ී āļ´්āļģāˇිāļ¯්āļ° āˇ්āļŽාāļąāˇāļŊ āļ¯ුāļ¸්āļļීāļ¸ෙāļą් āˇāļŊāļිāļą āļŊෙāˇāļ්, āļāļē āļ¯āļŦුāˇāļ¸් āļŊැāļļිāļē āˇැāļි āˇāļģāļ¯āļ් āļļāˇāļ් āļē.
āļģāļ§ේ āļąීāļිāļē āļ¸ෙāļą්āļ¸ āļāļ¸āļą්āļ¸ āļ´ැāļąāˇූ āļąීāļිāļē āļ්āļģිāļāļ§් āļāļēāļāļą āļāļŠāļēි
āļ¯ැāļą් āļ āļ´ āļ¸ීāļŊāļ āļāļģුāļĢāļ§ āļēොāļ¸ුāˇෙāļ¸ු. āļ¸ේ āļ¯ැāļ්āˇෙāļą්āļąේāļ¯ SLPL āļ§ිāļāļ§් āļ´āļāļ āļ´āˇුāļ´āˇ āļොāļ§āˇāļි. āļ āļ āļąු⎠āļ¸āļ¯්āļ°්āļēāˇාāļģ āļ´ාāļą āļ්āļģීāļŠාංāļāļą āļු⎠āļ¯ී āļˇාāˇිāļා āļිāļģීāļ¸āļ§ āļ āˇāˇāļģ āļąොāļ¸ැāļ. āļąāļ¸ුāļ් āˇ්āļģී āļŊංāļා āļ්āļģිāļāļ§් āļāļēāļāļąāļē āļ¸ේ āˇāļģāļ¯āļ් āˇිāļ¯ුāˇීāļ¸āļ§ āļāļŠāļŊāļļාāļ¯ී āļිāļļේ.
āļ¸ේ āļ´āļŊ්āļŊෙāļැ⎠ේ āļ්āļģීāļŠාංāļāļąāļēේ āļිāļļූ āļļීāļģ āˇāļŊේ āļිāļļූ āļ´ුāˇāļģුāˇāļි. āļ āļ āļąු⎠āˇāļē⎠āļ āˇුāļģුāļ¯ු 21 āļ§ āļ āļŠු āļ āļēāļ§ āļļීāļģ āļąොāˇිāļුāļĢāļą āļļ⎠āļāˇුāļą් āļ´āˇāˇāļēි. āļąāļ¸ුāļ් āļ āļ´ āļāˇිāļą් āļ¯ුāļ§ු āļāļģුāļĢ āˇāļą්āļąේ āˇāļē⎠āļ āˇුāļģුāļ¯ු 21 āļ§ āļ āļŠු āļැāļ§āˇු āļ´āˇා āļිāˇිāļŗු āļ āļ´āˇāˇුāˇāļිāļą් āļොāļģ⎠āļļීāļģ āļŊāļļාāļැāļąීāļ¸āļēි. āļāˇāļ¯ āļ¯ුāļ¸්āˇැāļ§ි āˇෙ⎠āļŗාāļ¸āļ¯ āļ¸ොāˇුāļą් āˇිāļ¯ුāļāļģāļą āļŊāļ¯ි. āļāˇිāļ¯ී āļ¯ āˇāļēāˇāļ් āļąොāˇāļŊāļා āˇෙ⎠āļŗාāļ¸ āˇිāļ¯ුāļිāļģීāļ¸āļ§ āļ¸ොāˇුāļą් āļāļ§āļēුāļු āļāļģāļą āļŊāļ¯ි.
āļ´ෙāļģ āˇāļŗāˇāļą් āļ⎠āļ´āļąāļේ 31 āˇāļāļą්āļිāļē āļ¸ෙāˇේāļē;
31 (1) āļēāļ¸් āļැāļąැāļ්āļෙāļු āˇිāˇිāļą් āļ āˇුāļģුāļ¯ු 21 āļ§ āļ āļŠු āļැāļąැāļ්āļāļą් āˇāļŗāˇා āļ¯ුāļ¸්āļො⎠āļąිāˇ්āļ´ාāļ¯āļą āˇෝ āļ¸āļ¯්āļēāˇාāļģ āļąිāˇ්āļ´ාāļ¯āļą āļිāˇිāˇāļ් āļ āļŊෙāˇි āļිāļģීāļ¸, āļ āļŊෙāˇි āļිāļģීāļ¸ āˇāļŗāˇා āļāļ¯ිāļģිāļ´āļ් āļිāļģීāļ¸ āˇෝ āļāˇා āļ āļŊෙāˇි āļිāļģීāļ¸ āˇāļŗāˇා āļāļŠāļ¯ීāļ¸ āˇෝ āļ´්āļģāˇāļģ්āļ°āļąāļē āļිāļģීāļ¸ āļąොāļ⎠āļēුāļුāļē.
(2) (1) āˇāļą āļāļ´ āˇāļāļą්āļිāļēේ āˇිāļ°ිāˇිāļ°ාāļą āļāļŊ්āļŊංāļāļąāļē āļāļģāļą āļිāˇිāļēāļ¸් āļැāļąැāļ්āļෙāļු āļ¸ේ āļ´āļąāļ āļēāļ§āļේ āˇāļģāļ¯āļāļ§ āˇāļģāļ¯āļāļģු āˇිāļēāļēුāļු āļ āļāļģ, āļ¸āˇෙāˇ්āļ්āļģාāļ්āˇāļģāļēෙāļු āļāļ¯ිāļģිāļ´ිāļ§ āļ´āˇāļ්āˇāļąු āļŊāļļāļą āļŊāļු āļąāļŠු āˇිāļˇාāļāļēāļිāļą් āļ´āˇු āˇāļģāļ¯āļāļģු āļāļģāļąු āļŊැāļļීāļ¸ේāļ¯ී āļģුāļ´ිāļēāļŊ් āˇාāļģāļ¯āˇāˇāļāļ§ āļąොāˇැāļŠි āļ¯āļŠāļēāļāļ§ āˇෝ āļ āˇුāļģුāļ¯ු āļāļāļāļ§ āļąොāˇැāļŠි āļාāļŊāļēāļ් āˇāļŗāˇා āļļāļą්āļ°āļąාāļාāļģāļāļ āļිāļģීāļ¸āļāļ§ āˇෝ āļ āļ¯āļŠāļē āˇāˇ āļļāļą්āļ°āļąාāļාāļģāļāļ āļිāļģීāļ¸ āļēāļą āļ¯āļŦුāˇāļ¸් āļ¯ෙāļāļ§āļ¸ āˇෝ āļēāļ§āļ් āˇිāļē āļēුāļු āļē.
(3) āļ¸ේ āļ´āļąāļ āļēāļ§āļේ āˇāļģāļ¯āļ් āˇිāļ¯ු āļිāļģීāļ¸ේ āļ¯ී āļēāļ¸් āļැāļąැāļ්āļෙāļු āˇāļģāļ¯āļāļģු āˇීāļ¸ේ āļ¯ී, āļāˇු āˇිāˇිāļą් āļ¯ුāļ¸්āļො⎠āļąිāˇ්āļ´ාāļ¯āļą āˇෝ āļ¸āļ¯්āļēāˇාāļģ āļąිāˇ්āļ´ාāļ¯āļą āˇිāļුāļĢāļąු āļŊැāļļුāˇේ āļāˇුāļģුāļ¯ු āˇිāˇි āļāļāļ§ āˇැāļŠි āļැāļąැāļ්āļෙāļුāļ§ āļēāļēි āļąිāˇ්āļ āļē āļිāļģීāļ¸āļ§ āˇැāļි āˇිāļēāļŊු āˇාāļ°ාāļģāļĢ āļ´ිāļēāˇāļģ āļāļ් āļļ⎠āˇිāļ්āļිāˇාāļ āļāļēāļ් āˇāˇāļēෙāļą් āļāļ¯ිāļģිāļ´āļ් āļිāļģීāļ¸ේ āļ āˇāˇ්āļŽා⎠āļිāļļිāļē āļēුāļු āļē.
āˇāļģāļŊ⎠āļ´āˇāˇāļą්āļąේ āļąāļ¸්, āļ āˇුāļģුāļ¯ු 21 āļ§ āļ āļŠු āļ āļēāļ§ āļ¯ුāļ¸්āˇැāļ§ි āˇා āļ¸āļ¯්āļēāˇාāļģ āˇිāļිāļĢීāļ¸, āˇිāļිāļĢීāļ¸āļ§ āļāļŠāļ¯ීāļ¸ āļąීāļිāļēෙāļą් āļāˇāļąāļ¸් āˇāļą āļ āļāļģ, āļāļēāļ§ āˇāļģāļ¯āļāļģුāˇāļු āˇāļą āļැāļąැāļ්āļෙāļුāļ§ āļ āˇāļ¸ āˇāˇāļēෙāļą් āļģු. 4 000 āļ āļ¯āļŠāļēāļ් āˇා/āˇෝ āļāļ´āļģිāļ¸ āˇāˇāļēෙāļą් āˇāˇāļģāļ් āļļāļą්āļ°āļąාāļාāļģāļāļ āļිāļģීāļ¸āļ් āļąිāļēāļ¸ āļිāļģීāļ¸āļ§ āˇැāļිāļē.
āˇāļē⎠21 āļāļ§ āļ āļŠු āļ āļēāļ§ āļļීāļģ āˇෙ⎠āļŗාāļ¸ āļāļļා, āļ්āļģීāļŠාංāļāļąāļē āļු⎠āļ¯ී āļාāļ§āˇෝ āˇෙ⎠āļŗාāļ¸āļ¸ āļ්āļģිāļāļ§් āļāļēāļāļąāļē āļāļ¸ුāļą්āļේāļ¸ āļąීāļිāļē āļāļŠāļිāļģීāļ¸āļි. āļāļēāļ§ āļ āļ¸āļāļģāˇ, āļ¯ුāļ¸් āļļොāļą්āļąāļą් āˇāļŗāˇා āˇිāˇේ⎠āļāļŊාāļ´ āļąāļ¸් āļąොāļāļģ, āļ්āļģීāļŠාංāļāļą āļු⎠āļ¯ුāļ¸්āˇැāļ§ි āˇෙ⎠āļŗාāļ¸āļ§ āļ āˇāˇāļģ āļŊāļļා āļ¯ීāļ¸ෙāļą් āˇ්āļģී āļŊංāļා āļ්āļģිāļāļ§් āļāļēāļāļąāļē āļģāļ§ේ āļąීāļිāļē āļāļŠ āļිāļģීāļ¸āļ§ āļ āļąුāļļāļŊ āļ¯ී āļිāļļේ.
āļ්āļģිāļāļ§් āļ්āļģීāļŠා⎠āļ āļ´ āˇැāˇොāļේāļ¸ āļ්āļģීāļŠාāˇāļēි. āļļොāˇෝāˇිāļ§ āļ්āļģීāļŠාංāļāļą āˇāļŊāļ§ āļąāļģāļšāļą්āļąāļą් āļ´ැāļ¸ිāļĢෙāļą්āļąේ āļ´āˇුāļŊ් āļ´ිāļ§ිāļą්āļ¸āļē. āļāˇිāļ¯ී āļ¸ෙāˇැāļąි āļ¸ුāļ්āļ° āļ¯ුāļ¸්āļļොāļą්āļąāļą් āļ āˇāļŊ āˇිāļ§ීāļ¸ෙāļą් āļුāļŠා āļ¯āļģුāˇāļą් āˇිāļ§ිāļą āļ¸āˇුāļ´ිāļēāļą් āļොāļāļģāļ¸් āļ āļ´āˇāˇුāļාāˇāļāļ§ āļ´āļ්āˇāļąāˇා āļāļ්āļ¯ āļēāļą්āļą āļ āļ්āļ¯ැāļීāļ¸් āļāļි āļ āļē āļ¯āļąී. āļ¸ේ āļāļāļģāļēāļ§ āļ¯ුāļ¸් āļļීāļ¸āļ§ āļāļŠāļ¯ීāļ¸ āˇෝ āļļීāļģ āˇෙ⎠āļŗාāļ¸ āļ´āˇ āļ¸ු⎠āˇිāļ¯ුāˇූ āļ āˇāˇ්āļŽා⎠āļ¸ෙāļē āļąොāˇේ. āļ¸ෙāļē āļļොāˇෝ āļāļŊāļ āļ´āļ§āļą් āˇිāļ¯ුāˇāļą්āļąāļි. āļąāļ¸ුāļ් āļ¸ෙāļෙāļ් āļāļŊ් āļĸāļąāļා⎠āļ¸ුāļąිāˇāļ āļģැāļීāļ¸ āˇāļ¸ාāļĸāļēේ āļ´ිāļģිāˇීāļ¸āļ§ āļ¸āļ āļ´ාāļ¯āļą්āļąāļි. 'āļąāļ´ුāļģ āļģāļĸ āˇීāļ¸āļ§ āˇāļāļිāˇāļēුāļු āˇāļą්āļąේ, āļąිāˇāļŦ āˇොāļŗ āļ¸ිāļąිāˇුāļą් āˇේ'.
Vuvuzela āļāˇāļąāļ¸āļ§ āļ¸ොāļāļ¯ āˇුāļąේ ?
āļ¸ේ āļ āļāļģ āļ´āˇුāļිāļē āļāļą්āļ¯ීāļēාāļąු āļāļ්āļ¯ිāļą āļāļģāļාāˇāļŊිāļē āļ āļāļģāļුāļģ, āļĸාāļ්āļē්āļēāļą්āļāļģ āˇිāˇ්āļāļģ āˇිāļ ාāļģāļ āļ§ෝāļąි āļ්āļģේāļ් āļ¸āˇāļ්āļ¸āļēාāļේ āļ¸ැāļ¯ිāˇāļ් āˇීāļ¸ āļ āļąු⎠āļ්āļģිāļāļ§් āļāļēāļāļąāļē āˇිāˇිāļą් āˇ්āļģී āļŊංāļාāˇේ āļ්āļģීāļŠාංāļāļą āļු⎠āļ§ āļෙāļą āļāļ¸ āļāˇāļąāļ¸් āļ⎠'āˇුāˇුāˇෙāļŊා' [Vuvuzela] āļąāˇ ා⎠āļąැāˇāļ SLPL āļāļģāļාāˇāļŊිāļē āļ āļāļģāļුāļģāļ¯ී āļ āļ´āļ§ āļ¯āļ්āļąāļ§ āļŊැāļļුāļĢි. āļāļා āļāļ¨ෝāļģ āˇāļļ්āļ¯āļ් āļāļ´āļ¯āˇāļą āļ¸ෙāļ¸ āļąāˇ ා⎠āļ´්āļģේāļ්āˇāļāļēāļą්āļ§ āˇිāļģිāˇැāļģāļēāļි. āļ¸ෙāļ¸ āļĄාāļēාāļģූāļ´āļēෙāļą් āļ¯ැāļ්āˇෙāļą්āļąේ SLPL āļāļģāļāļēāļ් āļ āļāļģāļුāļģ āļąāļģāļšāļą්āļąෙāļ් āˇුāˇුāˇෙāļŊා āļąāˇ ාāˇāļ් āļ´ිāļšිāļą āļ āļාāļģāļē āļ āļාāļģāļē āļ āļ´āļේ āļැāļ¸āļģා āļාāļ āļēේ āˇāļ§āˇāļą් āˇූ āļ āļēුāļģුāļēි.
āļ¸ේ āļ´ි⎠ිāļļāļŗāˇ āļ āļ´ āļ්āļģීāļŠාංāļāļąāļēේ āˇිāļ§ි āļ´ොāļŊිāˇ් āļąිāļŊāļ°ාāļģීāļą්āļෙāļą් āˇිāļ¸āˇීāļ¸ේāļ¯ී āļ¯ැāļąāļāļą්āļąāļ§ āļŊැāļļුāļąේ, āļ¸ේ āļ´ි⎠ිāļļāļŗāˇ āļāˇුāļą්⎠āļ¯ැāļąුāˇāļ් āļāļģ āļąොāļ¸ැāļි āļļāˇāļēි. āļāˇāļ¯ āļāˇුāļą්, āļāļ¸ āļāļ´āļāļģāļą āļ´āļģීāļ්āˇා āļිāļģීāļ¸ āļ්āļģිāļāļ§් āļāļēāļāļąāļē āļ¸āļිāļą් āļēොāļ¯āļą āļāļģāļ්āˇāļ āļąිāļŊāļ°ාāļģීāļą්āļේ āˇāļāļීāļ¸āļ් āļēāļąුāˇෙāļą් āļ´āˇāˇා āļāļģāļāļģීāļē. āļąāļ¸ුāļ් āļ´්āļģේāļ්āˇāļāļēāļą් āļ්āļģීāļŠාංāļāļąāļēāļ§ āļāļු⎠ු āˇීāļ¸ේāļ¯ී āļāļ¸āļą් āļ¸āļŊු āļ´āļģීāļ්āˇා āļāļģāļą්āļąේ āļ´ොāļŊිāˇිāļē āļ¸ිāˇ, āļ්āļģිāļāļ§් āļāļēāļāļąāļēෙāļą් āļēෙāļ¯āˇූ āļāļģāļ්āˇāļ āļąිāļŊāļ°ාāļģීāļą් āļąොāˇේ. āļෙāˇේ āˇුāˇāļ් āļ´ැāˇැāļ¯ිāļŊිāˇāļą āļāļģුāļĢ āļąāļ¸්, āļ්āļģිāļāļ§් āļāļēāļāļąāļē āļāļ¸ āˇāļāļීāļ¸ āˇāļģි āˇැāļ§ි āļāˇ්āļ¨ āļąොāļāļģ āļāļි āļļāˇāļēි.
āļāļģāļ āļąāļģāļšāļą්āļąāļą්āļ§ āļ¯ැāļŠි āļ´්āļģāˇාāˇāļą āļ āļ´āˇāˇුāļා
āˇāļŗāˇāļą් āļ⎠āļēුāļු āļ āļąෙāļ් āļāļģුāļĢ āļąāļ¸්, āļ´āļŊ්āļŊෙāļැ⎠ේ āˇැāļąි āļ¸āˇāļąුāˇāļģිāļąුāļ් āļ¯ුāļģ āˇ්āļŽාāļąāˇāļŊ āļ්āļģීāļŠාංāļāļą āļāļ¯ිāļිāļģීāļ¸ේāļ¯ී āļ´්āļģේāļ්āˇāļāļēāļą්āļේ āļāļ¸āļą් āļ´āˇāˇු⎠āļ´ි⎠ිāļļāļŗāˇāļ් āļļ⎠āļ°ාāļģීāļą්āļේ āļ āˇāļ°ාāļąāļē āļēොāļ¸ුāˇිāļē āļēුāļු āļļāˇ. āļ āˇාāˇāļąා⎠āļąāļ¸්, āļ´āļŊ්āļŊෙāļැ⎠ේ āļĸාāļ්āļēāļą්āļāļģ āļ්āļģිāļāļ§් āļ්āļģීāļŠාංāļāļąāļē āļ´ිāˇිāļ§ුāˇා āļāļි āļ¸āˇිāļēංāļāļąāļē āļ¸ාāļģ්āļāļēේ āļļāˇ් āļ°ාāˇāļąāļē āļ āļිāˇāļē āļ¯ුāļģ්āˇāļŊ āļ¸āļ§්āļ§āļ¸āļ āļļ⎠āļļāļŊāļ°ාāļģීāļą්āļේ āļąොāļ¯ැāļąුāˇāļ් āļļāˇāļēි. āļģාāļ්āļģී 7āļą් āļ´āļ¸āļĢ āļ´āˇු āļ¸ෙāļ¸ āļ¸ාāļģ්āļāļēේ āļ¸āˇāļąුāˇāļģ āļ¯ෙāˇāļ§ āļļāˇ් āļģāļŽāļēāļ් āˇෙāˇීāļ¸ āļāļĢ āļැāˇ්āļļාāˇා āˇිāļē āˇිāļŗුāļģෙāļą් āļ āˇāˇ āļ¯āļිāļą්āļąාāˇේ āˇැāļŠāļි. āļ¯ිāˇා āļģාāļ්āļģී āļāļģāļ āļąāļģāļšāļą්āļąāļ§ āļ´ැāļ¸ිāļĢෙāļą āļļොāˇෝ āļ´්āļģේāļ්āˇāļāļēාāļ§ āļ¸ේ āļ¯ුāˇ්āļāļģāļාāˇāļ§ āļ¸ුāˇුāļĢ āļ¯ීāļ¸āļ§ āˇිāļ¯ුāˇේ.
āļāļģāļ āļ´ැāˇැāļ්āˇෙāļą āļ¯ිāļąāˇāļŊ āļģාāļ්āļģී āļාāļŊāļēේāļ¯ී āļ්āļģීāļŠාංāļāļąāļē āļ āˇāļ§ āļ්āļģීāļģෝāļ¯ āļģිāļēāļ¯ුāļģāļą්āļ§ āļāļŊ්āļŊ āļ¸āļģේ āļē. āļ¸āˇāļąුāˇāļģāļ§ āļēෑāļ¸āļ§ āļ¸ොāˇුāļą් āļ āˇāļ¸ āļģුāļ´ිāļēāļŊ් 800 āļ් āļ āļē āļāļģāļēි. āļāļැāļ¸ුāļą් 1 000 āļ් āļ āļē āļිāļģීāļ¸āļ§āļ¯ āļ´āˇුāļļāļ§ āļąොāˇේ. āļ්āļģීāļŠාāˇāļ§ āļāļි āļāļŊ්āļ¸ āļąිāˇා āļāļģāļ āļąැāļģāļšීāļ¸āļ§ āļ´ැāļ¸ිāļĢෙāļą āļāļැāļ¸් āˇිāļ¯ේāˇිāļāļēāļą්āļ§āļ¯ āļ¸ෙāˇිāļ¯ී āˇිāļ¯ුāˇāļą්āļąේ āˇුāļ¯්āļ¯ āˇීāļ¸āļ§āļē. āļ¸ෙāļē āļ āļ´ේ āļģāļ§ේ āļීāļģ්āļිāļēāļ§ āļැ⎠āļŊāļි. āļāļļ āļ āļිāˇāļē āˇාāˇāļąාāˇāļą්āļāļąāļ¸්, āļāļ් āļ¸āļිāļēෙāļුāļෙāļą් āļģුāļ´ිāļēāļŊ් 50 āļļැāļිāļą් āļ āļēāļāļģāļāļą්āļąා āˇෑāļą් āļģāļŽāļēāļ් āˇāļ¸ුāˇේ. āļāļēāļ¯ āļāļ¸āļą්āļāļą්āļąේ āļ´ොāļŊ්āļ´āļ§āˇāļą්āļąාāļ් āˇේ āļ´āļ§āˇාāļෙāļąāļē. āļąāļ¸ුāļ් āļāļැāļ¸් āˇෑāļą් āļģāļŽ āļ¸āļිāļēෙāļුāļෙāļą් āļģුāļ´ිāļēāļŊ් 100 āļ¯ āļ āļē āļāļģāļēි. āļāļ¸āļąා āļāļ¸āļą āļ¸āļĢ්āļŠāļŊāļēෙāļą් āļ āˇāˇ්āļēāļē āļļāˇ්āļģāļŽ āļēොāļ¯āˇāļą්āļąේ āļąොāļ¸āļිāļąāļ¸්, āļ්āļģිāļāļ§් āļāļēāļāļąāļē āˇෝ āļļāˇ්āļģāļŽ āļģāļŽ āļිāˇිāļ´āļēāļ් āļēොāļ¯āˇා āļāļģāļ āļąāļģāļšāļą්āļąāļą් āˇāļ§ āļ¸āˇāļąුāˇāļģ āļ¯āļ්āˇා āļ´්āļģāˇාāˇāļą āļ´āˇāˇුāļāļ¸් āˇැāļŊāˇීāļ¸ āļāļ ිāļ āļļāˇāļēි āļ¸ාāļේ āˇැāļීāļ¸. āļāˇāļą් āˇේāˇාāˇāļ් āˇāļŗāˇා āļģුāļ´ිāļēāļŊ් 50āļ් āˇෝ āļෙāˇීāļ¸āļ§ āļļāˇුāļāļģāļēāļ් āļ¯ෙāļąා āļāļāļāˇāļąු āļąොāļ āļąුāļ¸ාāļąāļēි.
āļ´āˇුāļිāļēāļ¯ා āļුāļģුāļĢෑāļāļŊ āˇිāļ§ි āļ´ැāļ¸ිāļĢි āļ´ිāļģිāˇāļ් āļāļු⎠ු āļ´්āļģේāļ්āˇāļ āļ´ිāļģිāˇāļāļ§ āļ¸āˇāļąුāˇāļģ āļēාāļ¸āļ§ āļ්āļģāļ¸āļēāļ් āļąොāļ¸ැāļි⎠āļ ⎠ුāļēāļ¸ 2.15 āļ´āļ¸āļĢ āˇāļąāļෙāļ් āļ්āļģීāļŠාංāļāļąāļē āļ āˇāļŊ āļģැāļŗීāˇිāļ§ීāļ¸āļ§ āˇිāļ¯ු⎠āļිāļļේ. āļĸāļąāļා⎠āļ¸ෙāˇāļą් āļ¯ුāļ් āļැāˇැāļ§ āˇිāļŗāļෙāļą, āļ¯ුāļģ āļෙāˇාāļෙāļą āļāļģāļ āļąāļģāļšāļą්āļąāļ§ āļ´ැāļ¸ිāļĢෙāļą්āļąේ āļ්āļģිāļāļ§් āļ්āļģීāļŠාāˇāļ§ āļāļි āļ āˇීāļ¸ිāļ āļāļ¯āļģāļē āļąිāˇාāˇෙāļąි. āļāļē āļāˇුāļą්āļේ āļ¯ුāļģ්āˇāļŊ āļāļ¸āļ් āļŊෙ⎠āˇāļŊāļා āļļāļŊāļ°ාāļģීāļą්āļ§ āļ¯ෑāˇ් āļ´ිāļēාāļෙāļą āˇිāļ§ීāļ¸āļ§ āļāļŠāļ¯ිāļē āļąොāˇැāļ. āļ´්āļģāˇාāˇāļą āļ´āˇāˇුāļāļ¸් āˇāˇිāļ āļ´්āļģේāļ¸āļ¯ා⎠āļ්āļģීāļŠාංāļāļąāļēāļ§ SLPL āļāļģāļාāˇāļŊිāļē āˇāļŗāˇා āļ´ැāļ¸ිāļĢි āļ´්āļģේāļ්āˇāļ āˇංāļ්āļēාāˇāļ§ āˇāļŠා āˇැāļŠි āļ´්āļģේāļ්āˇāļ āˇංāļ්āļēාāˇāļ් āļ´්āļģāˇාāˇāļą āļ´āˇāˇුāļāļ¸් āļ āˇāļ¸ āļ´āļŊ්āļŊෙāļැ⎠ේ āļ්āļģීāļŠාංāļāļąāļēේ āļāļģāļ āļąැāļģāļšීāļ¸āļ§ āļ´ැāļ¸ිāļĢ āˇිāļ§ි āļļ⎠āļ āļ´ āˇොāļŗාāļාāļģāˇāļ¸ āļ¯ුāļ§ුāˇා. āļ´්āļģේāļ්āˇāļāļēāļą් āˇෑāļ¸āļ¯ා āļ¸ෙāļē āļāˇāˇāļąු āļąොāļ¸āļāļි. āļ්āļģීāļŠාāˇāļ§ āļොāļāļģāļ¸් āļāļ¯āļģāļē āļ⎠āļ¯, āļ⎠āļ¯ුāļģāļ§āļ් āļ¸ෙāˇේ āļ¯ුāļ්āļැāˇැāļ§ āˇිāļŗāļෙāļą āļāļģāļ āļąැāļģāļšීāļ¸āļ§ āļāļąāˇාāļ¯ āļąැāļ්āļ¯ āļēāļą්āļą āļීāļģāļĢāļē āļිāļģීāļ¸āļ§ āˇිāļ¯ුāˇāļąු āļāļ. āļ´්āļģේāļ්āˇāļāļēා āļ්āļģීāļŠාāļ´ිāļ§ිāļēāļ§ āļෙāļą āļāļ¸ āļැāļą āļāļාāļāļģāļą āļļāļŊāļ°ාāļģීāļą් āļ¸ෙāļē āˇැāļŊāļිāļŊ්āļŊāļ§ āļāļāļēුāļුāļē.
Thursday, August 16, 2012
My experience about love
The only thing I know
about love is
simply it doesn't exist.
People taught me that
when they are at their
peak of lust
age, distance, height & weight
become just damn numbers.
You know what,
some idiots
believe that
something called love
really exists
and
age, distance, height & weight
are no barriers
for their fantasy called
love
I pity
those ordinary people !
Monday, August 6, 2012
True Love Has No Boundaries
To my sweet heart with love ;
- Emperor Napoleon Bonaparte [5' 2"] was shorter than his wife
- Martial arts master and actor Bruce Lee [171 cm] was shorter than his sweet heart Linda Lee Cadwell [175 cm]
- Indian Prime Minister Sonia Gandhi's & ex-Prime Minister Rajiv Gandhi’s daughter Priyanka Gandhi is taller than her husband Robert Vadra
- Former Palestine leader Yasser Arafat [5' 2"] was shorter than his wife Suha Arafat
- Sir Charles Spencer "Charlie" Chaplin was shorter than all his 4 wives.
- The former President of France, Nicolas Sarkozy, is reportedly very self conscious about his short height, but his wife Carla Bruni has proven to him height doesn't matter
- One of the greatest football players of all time, Diego Maradona [5' 5"] was shorter than his wife Claudia VillafaÃąe
- One of the best film directors of all time, Steven Spielberg 5' 7½" is shorter than his wife Kate Capshaw.
- Bollywood actress Shilpa Shetty is taller than her husband Raj Kundra
- American actor, director, producer, writer, singer, and comedian Jason Alexander
- American screenwriter, director, actor, comedian, author, playwright, and musician Woody Allen [165 cm] was 5 cm shorter than his famous actress wife Louise Lasser.
- Actress Rhea Perlman chose actor Danny DeVito as her prince charming. And successfully married since 1982 & have 3 children.
- American film actor, director, voice artist, and producer Sean Astin 5'6" [Sam in the movie : Lord of the Rings] is shorter than his sweet heart Christine Harrell
- The musical duo Sonny and Cher captivated audiences with their voices and budding relationship. They also proved that height didn't matter when it came to love
- English musician, singer, songwriter and actor Mick Jagger [5' 10"] is shorter than his wife L'Wren Scott [6' 4"]
- Model Penny Lancaster is taller than her husband musician Rod Stewart
- Actress Tina Fey married 5' tall composer Jeff Richmond in 2001
- British food writer and former model Sophie Dahl married to musician Jamie Cullum who is much shorter than her
- American businesswoman, fashion model, socialite, celebutante, heiress and fashion designer Nicky Hilton married to Kevin Connolly who is shorter than her
- Tracy Pollan met the adorable, and shorter, Michael J. Fox while filming for the show "Family Ties." The two have been married since 1988
- Awards winning American film actor and producer Tom Cruise is shorter than his wives, actresses Nicole Kidman & Katie Holmes
- Nicole Kidman is taller than her husband Keith Urban
- British Indian novelist and essayist Salman Rushdie is shorter than his wife Padma Lakshmi
This just few examples. There are so many couples like this.
They say
True Love Has No Boundaries !
When you really love someone, age, distance, height, weight. Is just a damn number
Saturday, February 4, 2012
Save the world from this dangerous chemical
Sign this petition to save the world
There is a dangerous chemical called 'dihydrogen monoxide'. Some of the bad things about this chemical;
1) it can cause excessive sweating and vomiting
2) it is a major component in acid rain
3) it can cause severe burns in its gaseous state
4) accidental inhalation can kill you
5) it contributes to erosion
6) it decreases effectiveness of automobile brakes
7) it has been found in tumors of terminal cancer patients
Would you sign this petition to ban this chemical ?
http://www.change.org/petitions/all-governments-in-the-world-ban-dihydrogen-monoxide
[If you have signed, don't forget to comment here]
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